February 2012
12 posts
Feb 21st
137 notes
Feb 14th
140 notes
5 tags
Feb 14th
139 notes
Feb 13th
27 notes
WatchWatch
A teaser of what’s in store tonight at Merkin Hall, from my “Presto” for yMusic. Tickets still available at the door!
Feb 8th
11 notes
Feb 7th
16 notes
Feb 7th
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Feb 6th
24 notes
Feb 4th
21 notes
“This is how I aspire to think about music,” Mr....
Some revealing secrets about my studio process in this New York Times article, Bridging Genres And Generations On the Fly, about yMusic (& friends) by William Robin. It will appear in print in this Sunday’s Arts Section! I’ll be performing Wednesday with yMusic, alongside Richard Reed Parry of Arcade Fire, as part of the Ecstatic Music Festival at Kaufman Center’s Merkin...
Feb 3rd
18 notes
Feb 2nd
66 notes
Feb 1st
119 notes
January 2012
5 posts
Jan 27th
37 notes
Jan 27th
18 notes
Jan 26th
23 notes
Jan 25th
38 notes
Jan 22nd
39 notes
December 2011
4 posts
2 tags
Dec 22nd
300 notes
Dec 14th
34 notes
Dec 3rd
13 notes
Dec 2nd
31 notes
November 2011
7 posts
Nov 29th
86 notes
Nov 21st
29 notes
Nov 12th
22 notes
7 tags
jevinalmazan asked: What sounds do you make from scratch? Do you have any preferences in software for creating sounds?
Nov 9th
24 notes
3 tags
Nov 9th
22 notes
3 tags
professorglum asked: I'm obsessed with those string sounds in the chorus of "Rising." They almost sound like a Mellotron! How did you achieve that effect?
Nov 8th
10 notes
1 tag
Nov 4th
45 notes
October 2011
11 posts
2 tags
Oct 27th
24 notes
3 tags
Oct 25th
9 notes
4 tags
WatchWatch
Wednesday night I’m performing in a show I co-curated with composer/multi-instrumentalist Toby Driver. The night features the work of two artists, Terran Olsen and Joshue Ott, and is sponsored by MATA as part of their Interval Series. Joshue designed this video (full-screen that) for Weapons II (from the Weapons EP) using a visual instrument he designed called superDraw. During Wednesday...
Oct 24th
9 notes
2 tags
ltd-knwldg asked: I love your music, and production style. The acoustic and electronic elements seem to make so much sense together. There's also an ambience (the sound of the room) throughout a lot of "We Are Rising". Do you try to capture the room's natural reverb when recording acoustic elements? What types of reverbs (hardware/software) do lean on otherwise, during the mix?
Oct 18th
22 notes
Oct 12th
58 notes
5 tags
Oct 12th
92 notes
3 tags
Oct 11th
39 notes
Oct 10th
146 notes
5 tags
Oct 6th
202,246 notes
1 tag
Oct 5th
10 notes
3 tags
Oct 3rd
29 notes
September 2011
3 posts
2 tags
Sep 29th
50 notes
4 tags
Sep 27th
22 notes
Sep 13th
August 2011
8 posts
2 tags
Aug 24th
13 notes
2 tags
"But there’s a whole lot more to We Are Rising...
Maybe my favorite line from a recent review? Hard to say, this one’s got a few gemz. It’s here.
Aug 17th
7 notes
2 tags
Aug 13th
26 notes
2 tags
Aug 10th
2 tags
Aug 9th
15 notes
4 tags
Aug 5th
92 notes
3 tags
Aug 5th
89 notes
WatchWatch
oh man oh man oh man oh man! lottdance: From the “We Added It Up” video shoot. I choreographed this piece for the incomparable Shara Worden of My Brightest Diamond… In this shot, one of our daring cameramen, Alex Craig, chases Amy Miller as she dances around Bennyroyce Royon.
Aug 4th
16 notes