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    May 9, 2013

  • Tech rehearsal with ETHEL and Gibney Dance. For the piece, I created a tape part to “ghost” the live ensemble at certain moments. With the quartet performing to click, the “ghosts” emerge in synch with the ensemble. It’s working great. Free shows tomorrow and Saturday: http://www.gibneydance.org/company/performance-calendar.php

    Tech rehearsal with ETHEL and Gibney Dance. For the piece, I created a tape part to “ghost” the live ensemble at certain moments. With the quartet performing to click, the “ghosts” emerge in synch with the ensemble. It’s working great. Free shows tomorrow and Saturday: http://www.gibneydance.org/company/performance-calendar.php

    • May 7, 2013

  • Day 2, assembling a new work with ETHEL & Gibney Dance. Two ensembles simultaneously pulling my music in different ways into three dimensions. Crazy feeling.

    Day 2, assembling a new work with ETHEL & Gibney Dance. Two ensembles simultaneously pulling my music in different ways into three dimensions. Crazy feeling.

    • May 4, 2013

  • “I want to die like Lazarus did…” Like Lazarus Did Stephen Petronio CompanyJoyce Theater, NYC 4/30-5/5/13 Original Music by Son Lux Performed by Son Lux, Rob Moose, CJ Camerieri and members of The Young People’s Chorus of New York under the direction of Francisco Nuñez Living Set by Janine Antoni

    “I want to die like Lazarus did…”

    Like Lazarus Did

    Stephen Petronio Company
    Joyce Theater, NYC
    4/30-5/5/13

    Original Music by Son Lux
    Performed by Son Lux, Rob Moose, CJ Camerieri and members of The Young People’s Chorus of New York under the direction of Francisco Nuñez

    Living Set by Janine Antoni

    • May 1, 2013

  • “NOW THRU MAY 5” Pre-show, “Like Lazarus Did” with Stephen Petronio Company at The Joyce, Opening night.

    “NOW THRU MAY 5”

    Pre-show, “Like Lazarus Did” with Stephen Petronio Company at The Joyce, Opening night.

    • Apr 26, 2013

  • I’M AT THE MIX FOR MY FIRST FEATURE! w/ @nedbenson #DisappearanceOfEleanorRigby #JessicaChastain #JamesMcAvoy

    I’M AT THE MIX FOR MY FIRST FEATURE! w/ @nedbenson #DisappearanceOfEleanorRigby #JessicaChastain #JamesMcAvoy

    • jamesmcavoy jessicachastain disappearanceofeleanorrigby
    Apr 10, 2013

  • LIKE LAZARUS DID

    4/30-5/5

    Joyce Theater, NYC

    Tickets

    • dance commissions collaborations petronio yMusic
    Apr 10, 2013
    AnonymousMusic has emotional attachments, most likely not innate but based on conditioned associative relationships with emotional states, brought upon be social traditions, coincidences, and associative semantic content in context of relative even or circumstance. Your music like all music is expressing itself physically in the biological systems of others through sound waves which you have constructed. Do you feel a social responsibility for the effect your music has on it's audience?

    Nope.

    Mar 21, 2013

  • The good man @rafiqbhatia in a tangle of pedals, generating textures for a new film score I’m working on. Last night I started mapping the audio to a keyboard, creating playable but unpredictable instruments to use in the writing process. One of the reasons I do this is to free myself up from compositional habits based on theory and the motor memory of my fingers. Sidestepping this bias helps me keep an intuitive response to sound central to my process. Mapping and experimenting with programming ahead of time also facilitates an instinctive workflow because it’s quicker than cutting up audio. #GeekTalk

    The good man @rafiqbhatia in a tangle of pedals, generating textures for a new film score I’m working on. Last night I started mapping the audio to a keyboard, creating playable but unpredictable instruments to use in the writing process. One of the reasons I do this is to free myself up from compositional habits based on theory and the motor memory of my fingers. Sidestepping this bias helps me keep an intuitive response to sound central to my process. Mapping and experimenting with programming ahead of time also facilitates an instinctive workflow because it’s quicker than cutting up audio. #GeekTalk

    • geektalk
    Mar 12, 2013

  • Today I was in the studio with @krrrschmidt, sculpting more sounds for a new film score. Working with unfamiliar tools is a good way to surprise myself, which always seems to be a useful feeling.

    Today I was in the studio with @krrrschmidt, sculpting more sounds for a new film score. Working with unfamiliar tools is a good way to surprise myself, which always seems to be a useful feeling.

    • Mar 11, 2013

  • Today I began in earnest on a new film score. Here’s engineer Eric Tate, setting up for a session with @thejonnyrodgers, recording tuned wine glasses. I’m developing a library of improvisations & various articulations, from which I’ll generate textures and virtual instruments for the score. Details on the incredible film TBA!

    Today I began in earnest on a new film score. Here’s engineer Eric Tate, setting up for a session with @thejonnyrodgers, recording tuned wine glasses. I’m developing a library of improvisations & various articulations, from which I’ll generate textures and virtual instruments for the score. Details on the incredible film TBA!

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